I Came By (15): A clever British thriller with some dark twists .
A One Mann’s Movies review of “I Came By” (2022). “I Came By”, currently showing on Netflix, is a pretty enjoyable dark thriller and well worth a watch. Bob the…
The Forgiven (18): Trilobite by Jury.
A One Mann’s Movies review of “The Forgiven” (2022). Given the run of generally dodgy films that have been coming out recently in this arse-end of the summer season, “The…
See How They Run (12): Like Leo Kopernick, it’s frustratingly lifeless.
A One Mann’s Movies review of “See How They Run” (2022). Being a big fan of “Knives Out“, I was looking forward to “See How They Run” as a comedy…
The Gray Man (15): “Just Another Thursday”.
A One Mann’s Movies review of “The Gray Man” (2022). I mean, obviously “The Gray Man” should be “The Grey Man”. I despair that we will ever teach our American…
Three Thousand Years of Longing (15): Another Djinn with a crick in the neck.
A One Mann’s Movies review of “Three Thousand Years of Longing” (2022). It’s been 7 years since George Miller released the excellent “Mad Max: Fury Road“, but he’s sneaked “Three…
Hatching (15): A Finnish horror where ET meets the Brothers Grimm.
A One Mann’s Movies review of “Hatching” (2022). (Original title “Pahanhautoja”) This was the latest in Cineworld’s “Secret Screening” where the audience don’t know what the film will be before…
Beast (15): If I said I thought it was any good, I’d be Lion.
A One Mann’s Movies review of “Beast” (2022). Idris Elba really doesn’t have much luck with me with his feature films. I think he’s a wonderful actor… but some of…
Mr Malcolm’s List (PG): Prejudice and Pride.
A One Mann’s Movies review of “Mr Malcolm’s List” (2022). The second of my double bill from yesterday, “Mr Malcolm’s List” is a period drama set in the early 1800’s…
Fall (15): I Fell for the low-budget vertiginous thriller.
A One Mann’s Movies review of “Fall” (2022). Having been on holiday, I now have some catching up to do! “Fall” is the first of a double bill I saw…
Nope (15): Monkey-Business in the Clouds that feels distinctly sub-Spielberg.
A One Mann’s Movies review of “Nope” (2022). As I’ve probably revealed before, Spielberg’s “Close Encounters of the Third Kind” (the original cut) is my personal favourite film of all…