One Mann's Movies Film Review: Viceroy's House (2017)
The 80:20 Rule. India, 1947. Churchill’s government has sent Lord Grantham – – sorry — Lord Louis Mountbatten of Burma (Hugh Bonneville, “The Monuments Men“) as the new Viceroy. His…
One Mann's Movies Film Review: Logan (2017)
“When the man comes around” At last – a superhero movie with real heart… (and not just the chunks over the knuckle blades!). Logan is a bit of a revelation.…
One Mann's Movies Film Review: Patriot's Day (2017)
A Marathon Investigation. While there are predictable social media conspiracy theories that the “whole thing was a hoax”, the two bombs that went off near the finish line of the…
One Mann's Movies Film Review: A Cure for Wellness (2017)
Eels well that ends well. “A Cure for Wellness” is the latest film from Gore Verbinski, who has delivered an entertainingly mixed bag of movie goodies over the years from…
One Mann's Movies Film Review: The Great Wall (2017)
Exercising your Damons. Millions of people watching the Oscars would have seen Jimmy Kimmel roasting poor Matt Damon as a part of their long running ‘feud’. At one point he…
One Mann's Movies DVD Review: Captain Fantastic (2016)
Dysfunctionally functional. The second of my catch-up films for next Sunday’s Oscars, this time featuring Viggo Mortensen who is up for a Best Actor Oscar. “Captain Fantastic” starts with a…
One Mann's Movies DVD Review: Hell or High Water (2016)
“Sometimes a blind pig finds a truffle”. One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award…
One Mann's Movie Film Review: Hidden Figures (2017)
Putting the Race into Space Race. As a child of the early 60s, the ‘Space Race’, as started by John F. Kennedy in his famous speech announcing that America would…
One Mann's Movies Film Review: Fences (2017)
The Last Post. In “Fences” Denzel Washington plays Troy – a bitter, self-centred and selfish man in his mid-fifties who loves the sound of his own voice. They say “empty…
One Mann's Movies Film Review: Hacksaw Ridge (2017)
In God, and Doss, we Trust. Those dreaded words – “Based On A True Story” – emerge again from the blackness of the opening page. Actually, no. In a move…