The Sea Beast (PG): Inevitable Blustering on the High Seas.
A One Mann’s Movies review of “The Sea Beast” (2022). The last gap in my Oscars “Animated Feature” category, “The Sea Beast” (available on Netflix) is a little hidden gem…
A Mann on a mission to review movies
A One Mann’s Movies review of “The Sea Beast” (2022). The last gap in my Oscars “Animated Feature” category, “The Sea Beast” (available on Netflix) is a little hidden gem…
A One Mann’s Movies review of “Navalny” (2022). This was only one of three feature-length films that I failed to see from the BAFTA nominations… so of course it won!…
A One Mann’s Movies review of “Creed III” (2023). For reasons that escape me, but which were probably work related, I never got to see “Creed II” from 2018. But…
A One Mann’s Movies review of “Your Place or Mine” (2023). Sorry, but as a signed up member of the apostrophe police, I sooooo want to stick a question mark…
A One Mann’s Movies review of “Cocaine Bear” (2023). Not since “Women Talking” (which I grant you was only two days ago) has a film’s title most accurately described the…
A One Mann’s Movies review of “Rebecca” (1940). The photo above for “Rebecca” comes from the special poster produced for the film by Harbour Lights cinema in Southampton (a splendid…
A One Mann’s Movies review of “Women Talking” (2023). Amongst the awards feature films, there’s a lot of overlap between the BAFTA nominations and the Oscar nominations. But one notable…
A One Mann’s Movies review of “Marcel the Shell with Shoes On” (2023). Whether you go for “Marcel the Shell with Shoes On” will depend on whether you see Marcel…
A One Mann’s Movies review of “Moonage Daydream” (2022). A bit behind on writing up some of my BAFTA related films. But “Moonage Daydream” by Brett Morgen was up for…
A One Mann’s Movies review of “What’s Love Got To Do With It?” (2023). Man, oh, man. It’s been a heavy few weeks of watching award candidate films. Many are…