The Forgiven (18): Trilobite by Jury.
A One Mann’s Movies review of “The Forgiven” (2022). Given the run of generally dodgy films that have been coming…
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See How They Run (12): Like Leo Kopernick, it’s frustratingly lifeless.
A One Mann’s Movies review of “See How They Run” (2022). Being a big fan of “Knives Out“, I was…
The Railway Children Return (PG): Even with the Trains, it ends up pedestrian.
A One Mann’s Movies review of “The Railway Children Return” (2022). “The Railway Children Return” (note: interestingly, a movie with…
Where the Crawdads Sing (15): Life story of an Outsider.
A One Mann’s Movies review of “Where the Crawdads Sing” (2022). “Where the Crawdads Sing” is based on the bestselling…
Downton Abbey: A New Era (PG): “Dreadful Film. Loved It”.
A One Mann’s Movies review of “Downton Abbey: A New Era” (2022). The second big screen ‘adventure’ for the Crawley’s…
Deep Water (15): Can Ana de Armas drive a man to murderous distraction?
(Well, actually that seems perfectly plausible!) A One Mann’s Movies review of “Deep Water” (2022). “Deep Water”, based on a…
Morbius (15): A new Marvel film that feels like a lot of old Marvel films.
A One Mann’s Movies review of “Morbius” (2022). As has been noted before, I’m a bit of a weirdo in…
The Matrix Resurrections (15): Best. Left. Dead.
A One Mann’s Movies review of “The Matrix Resurrections” (2021). Bob the Movie Man Rating: After the technical glory days…
The Harder They Fall (15): Gritty Tarantiono-esque western, with a twist.
A One Mann’s Movies review of “The Harder They Fall” (2021). Bob the Movie Man Rating: I’ve referred to this…
Last Night in Soho (18): Edgar Wright’s Haunting Love Letter to the Swinging Sixties.
A One Mann’s Movies review of “Last Night in Soho” (2021). Bob the Movie Man Rating: A young 21st-century teen…