Extraction (15): An energetic workout for the camera-person!
A One Mann’s Movies review of “Extraction” (2020). Ahead of watching the sequel, “Extraction 2”, I watched the original Chris…
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My Fault (15*): Fast and Furious Spanish Teen Sex.
A One Mann’s Movies review of “My Fault” (2023). Original Spanish Title: “Culpa Mia”. “My Fault” sees a Spanish 17-year-old…
Perfect Nanny (15): Une Autre Main, Un Autre Berceau!
A One Mann’s Movies review of “Perfect Nanny” (2019). Original French Title: Chanson Douce. Alternative Title (UK only?): Lullaby. There…
To Catch a Killer (15*): Female cop. Male Director.
A One Mann’s Movies review of “To Catch a Killer” (2023). “To Catch a Thriller” feels like a title that…
Hypnotic (15): The secret perhaps behind Trump’s success?
A One Mann’s Movies review of “Hypnotic” (2023). Ben Affleck mystery thrillers seem to be a Russian Roulette of cinema.…
The Machine (15): Kreischer? Who?
A One Mann’s Movies review of “The Machine” (2023). There have been two recent examples of US ‘national treasures’ that…
Fast X (12): Absurd Action Sparked by Dante’s Pique.
A One Mann’s Movies review of “Fast X” (2023). I’ve not been a long-term fan of the Fast and the…
Sisu (15): Implausible Tarantinoesque fun.
A One Mann’s Movies review of “Sisu” (2023). “Sisu”, claims an opening title, is an untranslatable Finnish word meaning having…
The Mother (12): Less of Jennifer Lopez’s ‘booty’. More of her kicking ass.
A One Mann’s Movies review of “The Mother” (2023). “You don’t know how bad this gets” says “The Mother” (Jennifer…
Love Again (12): A Rom-Com but without the Com.
A One Mann’s Movies review of “Love Again” (2023). I’m late to the game on this rom-com, but I went…