Cow (12): Clever But Devestating Bovine-based Cinéma Vérité.
A One Mann’s Movies review of “Cow” (2022). “Cow” is a much-praised documentary that came out in the UK at…
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Paint (12): Sex, Oils and Mount Mansfield.
A One Mann’s Movies review of “Paint” (2023). In my eyes, Owen Wilson always seems to play himself in movies.…
Maggie Moore(s) (15): Highly enjoyable small-town cop thriller.
A One Mann’s Movies review of “Maggie Moore(s)” (2023). I’ve found Jon Hamm’s movies to be a bit of a…
The Walk (‘12’?): Adeel Akhtar takes a necessary walk on the wild side.
#onemannsmovies #filmreview of The Walk starring Adeel Akhtar. A short film highlighting the importance of bus services in local communities.…
Killers of the Flower Moon (15): Scorsese’s masterwork shows greed on an epic scale.
A One Mann’s Movies review of “Killers of the Flower Moon” (2023) (from the London Film Festival). OK, so here…
The Creator (12): Americans are the bad guys in allegorical Vietnam/Sci-fi epic.
A One Mann’s Movies review of “The Creator” (2023). The week’s biggest new release is Gareth (“Rogue One“) Edward’s Sci-fi…
The Spectre of Boko Haram(’12’): War and kids shouldn’t mix.
A One Mann’s Movies review of “The Spectre of Boko Haram” (2023) (from the London Film Festival). This is another…
The Hypnosis (’15’): Swedish satirical business comedy with the cringe factor.
#onemannsmovies #filmreview of “The Hypnosys”. #thehypnosys. Satirical Scandi business comedy that makes the grade. 4/5.
The Taste of Mango (’12’): A Very Personal Journey into Mum and Granny’s Past.
A One Mann’s Movies review of “The Taste of Mango” (2023) (from the London Film Festival). Again, I saw this…
The Royal Hotel (’15’): Going Outback for a Dickens Cider.
A One Mann’s Movies review of “The Royal Hotel” (2023) (from the London Film Festival). This is the first film…