A One Mann’s Movies review of “Bill and Ted Face the Music” (2020).
Bob the Movie Man’s Rating:
Certification:
US: PG-13. UK: PG.
For my penultimate trip to Cineworld (for the time being), I’ve finally caught up in time with the latest Bill and Ted. Thirty-One years after the first Bill and Ted movie, and 29 years after the slightly disappointing sequel, the dudes are back for a three-quel. Older… but not much wiser.
The wedding singers, with an interesting line in “first dance” music. (Source: Warner Brothers).
Bill and Ted deliver convoluted timey wimey stuff
Bill (Alex Winter) and Ted (Keanu Reeves) are the only ones that can save reality. If they don’t play the ‘song that will unite humanity’ at 7:17 at MP42 then the whole of time and space will unravel. It’s already happening, with historical characters zapping here and there at random. There are only two problems: 1) they have no idea where MP42 is and; 2) the no-hoper wedding singers haven’t written the song… yet.
Zipping forwards in time, they plan to steal the song from their future selves.
A new approach to the paranoid android. as Dennis Caleb McCoy (Anthony Carrigan). (Source: Warner Brothers).
Meanwhile their daughters Thea (Samara Weaving) and Billie (Brigette Lundy-Paine) travel backwards in time to assemble a world-class backing band. (As an aside, it is astonishing how much Weaving looks like Margot Robbie – never a bad thing in my book! If there is ever a biopic requiring a young and old version of her character, they will save a BOMB on the CGI bill!)
Great casting of the daughters with Brigette Lundy-Paine and Samara Weaving with Lundy-Paine in particular getting Keanu’s walk and moves off to a T. (And – #oldtimer – I had no idea who Kid Cudi was!). (Source: Warner Brothers).
Meanwhile (meanwhile) Bill and Ted’s princess brides (now Erinn Hayes as Elizabeth and Jayma Mays as Joanna) are unsettled with their marriages and are jumping from time to time to see if they can be happy with any version of Bill and Ted.
Death (William Sadler) meets up again with Bill and Ted in Hell’s comfy office. (Source: Warner Brothers).
And you thought “Tenet” was confusing?
Death (William Sadler) quotes a Wyld Stallyns review as “A raging confused mess”. And it really applies to this too! The screenplay, by original Bill and Ted writers Chris Matheson and Ed Solomon, is all over the place. With a scattergun approach to the comedy, some of the lines firmly stick to the wall – making me guffaw with laughter – and others are just plain duds.
Some of the scenes – a “couples therapy” session for example – seem to be desperately trying to be milked for all they’re worth. Even the “monkey” after the end titles – with “old dudes” rocking out – isn’t worth the wait.
“Be excellent to one another”. A good motto for 2020. (Source: Warner Brothers).
But, contrary to that…
It’s also difficult not to be swept along with the anarchic joy of the concoction. The movie of course leans heavily on the nostalgic catchphrases and air guitar riffs of years gone by. But there’s no shame in that. And there’s a star quality cameo at one point that entertains.
Director Dean Parisot – most famous for the minor classic “Galaxy Quest” – manages to rustle all this diverse material into something that overall still manages to leave an overall stupid grin on your face. As a comedy it passes the ‘6-laugh’ test, but – as someone who has never been a great “Bill and Ted” fan – it’s not a classic. But I can see how “Bill and Ted” fans, like my daughter Jenn, would have loved it (and she did).
Trailer:
The trailer is here: https://www.youtube.com/watch?v=0hAL7emClFM .
Hi Bob: The character of ‘Kelly’, played by Kristen Schaal, was not Ted’s daughter. That was ‘Billie’, played by Brigette Lundy-Paine. You must have missed that the guys named their daughters after each other. Thanks for writing, best wishes.
Oh man – – that’s very embarrassing!! But thanks for commenting. I’ll amend the post now!