Avatar: The Way of Water (12): Long and very wet.
A One Mann’s Movies review of “Avatar: The Way of Water” (2022). With a 13 year gap from the original “Avatar” and a reported $250M budget, James Cameron is taking…
Violent Night (15): The moral is, never man the security desk on Xmas Eve!
A One Mann’s Movies review of “Violent Night” (2022). The trailer for “Violent Night” painted a movie that was in the “so wrong, it might be right” category*. A Christmas…
Matilda The Musical (PG): “Bambinatum Est Maggitum”.
A One Mann’s Movies review of “Matilda The Musical” (2022). Whilst I’m sure I’ve seen the 1996 version of “Matilda”, featuring Mara Wilson and Danny DeVito, I don’t readily recall…
Spirited (12): A fun reworking of “A Christmas Carol” with two likeable stars.
A One Mann’s Movies review of “Spirited” (2022). For a few month’s now, I’ve been chuckling at the preview Tiktok videos for the festive musical “Spirited”, featuring Ryan Reynolds and…
She Said (15): Sex and the Casting Couch.
A One Mann’s Movies review of “She Said” (2022). “She Said” is a movie in the great tradition of films about investigative journalism, so has many similarities with “The Post“,…
Bones and All (18): Blood, gore, teen-love and dullness.
A One Mann’s Movies review of “Bones and All” (2022). From the pre-release vibe on this one, I expected Luca Guadagnino’s “Bones and All” to be one of my movie…
Glass Onion: A Knives Out Mystery (12): This Onion made me cry with laughter.
A One Mann’s Movies review of “Glass Onion: A Knives Out Mystery” (2022). “Knives Out” was my number 3 film of 2019. Could I hope that the sequel might match…
Black Adam (12): A messy but occasionally entertaining DC.
A One Mann’s Movies review of “Black Adam” (2022). I’m late to the game in seeing “Black Adam”, but just caught it before it left UK cinemas. Bob the Movie…
The Menu (15): An unexpected ingredient in the mix.
#onemannsmovies review of “The Menu”. #TheMenuFilm. Diners get their just desserts in a delicious black comedy. 4.5/5.
Living (12): Quietly waiting for his mother to call him in.
A One Mann’s Movies review of “Living” (2022). I had the joy of meeting Bill Nighy briefly in a London theatre and he is the epitomy of the English gentleman:…