Poster for "The Invisible Man"

A One Mann’s Movies review of “The Invisible Man” (2020).

Bob the Movie Man’s Rating:

Another in my “catch-up” list of movies I missed during 2020. And “The Invisible Man” was one I was keen to see (no pun intended), since I heard very good word of mouth from a lot of other reviewers.

Certification:

US: R. UK: 18.

Sci-fi, Ghost Story or Psychological Disorder?

Cecilia Kass (Elisabeth Moss) is trapped in a highly controlling and violent relationship with technology mogul Adrian Griffin (Oliver Jackson-Cohen). Escaping from his fortress-like home, she lives in fear of his retribution. So she is much relieved, if a little surprised, at the report of his suicide. Now living with old friend James Lanier (Aldis Hodge) and his teenage daughter Sydney (Storm Reid), Cecilia can finally start to relax. But as strange things start to happen, is the ghost of Griffin back to haunt her? Or is it really all in her rapidly disintegrating mind, as her sister Emily (Harriet Dyer) and James suspect?

A scared Cecilia sits on the edge of her bed

Night terrors. The important thing when going to the loo in the night is knowing where all the creaking floorboards are! (Source: Universal Pictures).

“The Invisible Man” is a slow burn that creepily ratchets up the tension.

Australian writer/director Leigh Whannell is famous as the writer behind the “Saw” and “Insidious” franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia’s mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I’m afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It’s superbly effective and was comprehensively creeping me out!

When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the “Surprises” coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock’s style.

James and Sydney in a doorway

James (Aldis Hodge) and Sydney (Storm Reid) are aware of something distinctly odd going on. (Source: Universal Pictures).

Elisabeth Moss delivers another quietly impressive performance.

Now most famous for “Mad Men” and “The Handmaids Tale” on TV, Elisabeth Moss has delivered a range of impressive film performances including in “High Rise” and – as most closely related to this role – in “Girl, Interrupted” as mental patient Lisa. It’s a star turn, no doubt about it.

A mentally disturbed looking Cecilia

All in her mind? A deranged Cecilia (Elisabeth Moss) delivers some cutting words over dinner. (Source: Universal Pictures).

A Dark Universe success.

This movie was intended by Universal to be part of the “Dark Universe” series. But the Tom Cruise flop “The Mummy” unfortunately put paid to that. Which is a great shame. If they’d started with this one, then they might have had a hit on their hands. With a post-credits “monkey” (there isn’t one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.

It’s a rollicking action flick that had my attention throughout. This is all helped along by a very effective soundtrack by British composer Benjamin Wallfisch, using strange atonal electronica to heighten the suspense.

However, the initial question it poses – haunting, ‘all in the mind’ or something else – gets clarified a little too early for me (and – note – is spoiled by the trailer), so the movie falls short of being a classic for that reason.

Cecelia hides in a rainy car park

Cecilia (Elisabeth Moss) has a mental breakout. (Source: Universal Pictures).

Credit where credit due?

There’s one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There’s a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel’s title it would seem at least ‘polite’ to include a “Based on an idea by H.G. Wells” in the credits somewhere.

Cecilia is dragged along a floor screaming

The institution ‘human curling’ competition was in full swing. (Source: Universal Pictures).

“The Invisible Man” is a recommended watch.

All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it’s an entertaining rollercoaster of a movie. Definitely comes with a “recommended” from me and I’ll look forward to a re-watch at some point.

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Trailer:

The trailer is here: https://www.youtube.com/watch?v=WO_FJdiY9dA . This is definitely NOT recommended to be watched before the movie, since it gives FAR too many spoilers away. Gets a D- from me.

By bobwp

Dr Bob Mann lives in Hampshire in the UK. Now retired from his job as an IT professional, he is owner of One Mann's Movies and an enthusiastic reviewer of movies as "Bob the Movie Man". Bob is also a regular film reviewer on BBC Radio Solent.

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